I was like, ‘She gets it.’ And man, she is a learner, she is focused and works hard. “But really what set me over was this one L'Oreal spot where she’s rocking out, acting silly, popping in and out of frame. “If you really look at her ‘Havana’ video or her Grammys performance, you can tell she’s got comedic timing,” said Cannon of casting the singer in her acting debut. Toeing that line onscreen is pop star Camila Cabello, landing punchlines between musical numbers with Billy Porter, Idina Menzel and Nicholas Galitzine. I know what my north star is but I don’t want to cross that imaginary line and put people off.” “If I were to ever redo anything, I’d be more thoughtful and rewrite that pilot. “I got notes from random people at the studio that ‘She’s too sassy, she’s too aggressive, she always has a comeback,’ and I did tone her down a little bit because I really learned my lesson from ‘Girlboss,’” she added, referencing her divisive 2017 series for Netflix. “Those debates about what’s funny when it’s coming out of a young woman’s mouth, and whether or not she’s likable enough - that’s something I’ve navigated in the past and will probably have to navigate in the future,” said Cannon, an alum of Second City, NBC’s “30 Rock” and Fox’s “New Girl.” “She’s still kind, but you can be kind and still want things for your life,” said Cannon, whose version of Ella dreams of making dresses and sees the ball as a chance to make a sale rather than to romance a royal.Īnd she has a real sense of humor, which, when dealing with any female character, is its own infamous quest. 3 on Amazon Prime, is a dream come true for its writer-director, as she bestowed the titular damsel-in-distress with dimensions like personal goals and the agency to reach them. In a way, the Sony title, streaming Sept. And I have a theater degree, but I went to improv schools because I couldn’t handle the precociousness sometimes of doing straight plays. “I grew up in not even a town, it was a township of less than a thousand people I never thought I would fly on an airplane and didn’t until college, and it was only because I played in a volleyball tournament. “I don’t know how you’ll feel about how I say this about myself, but I am a dirtbag,” she said in a video call with The Times. And even though she wasn’t particularly fond of any “Cinderella” throughout childhood, she viewed Corden’s concept - retelling arguably the most frequently adapted fairy tale in Hollywood history with catchy, contemporary hits - as a rare canvas for something that’s decidedly unprecious yet highly achieved and widely accessible. Specifically, Dolly Parton’s “9 to 5.”Ĭannon, who wrote all three “Pitch Perfect” movies, knew covering an Oscar-nominated song from a famous film would not fly. He went on to describe its opening frames: the camera soaring over a kingdom, settling into a basement and zooming in on Cinderella as she wakes up and breaks into song. “I’ve had this idea and I just don’t have time to write it,” James Corden told her then. Once upon a time in 2017, production company Fulwell 73 requested a meeting with Kay Cannon about yet another feature-length “Cinderella.”
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